Pick a warmup length — 3, 5, or 10 minutes — and the tool builds a balanced sequence of breath, jaw, lip, tongue, resonance, and articulation drills with per-step timing. Built so the warmup you do before an audition or self-tape is actually the warmup, not the same three exercises every time.
Total routine: 3m 45s · 6 exercises
Inhale low for four counts. On the exhale, count aloud: "one, one-two, one-two-three..." up to ten on a single breath. Keep the volume even and the pace steady — no rush at the end.
Let your jaw hang loose. Place fingertips on the hinge under each ear. Slowly open and close, feeling for any clicking or tightness. Do not force. Repeat ten times slowly.
Send breath through closed but relaxed lips so they flutter — like an engine starting. Keep the airflow steady. If the trill breaks, the lips are too tight. Hold for fifteen seconds, rest, repeat.
Stick your tongue out as far as it will go and hold for five seconds. Pull it back. Now point it up to the ceiling, then down to the chin, then left and right. Two full rounds.
Voice a sustained "nnng" (as in "sing") and feel the buzz in the front of your face — cheekbones, nose. Now open into "ahh" without losing the mask buzz. Repeat four times.
Ten reps. Place each consonant exactly where it belongs — L at the tip, T at the teeth, T-T-T at the tongue tip. Crisp, not lazy.
Why this order matters. The warmup builds from the body outward: low breath first so the sound has somewhere to live, jaw release next so the resonator is open, lips and tongue next so the consonants have somewhere to land, and articulation drills last because they only work once everything underneath is loose. Doing the consonants first is the most common warmup mistake — the muscles are not warm yet and the drill just trains the tension.
Tip: do the routine standing up. Half the breath work depends on the body being aligned over the feet. Sitting it on a sofa cuts the value of the breath drills by about half.
Once the warmup is done, run a monologue against our scene partner while the voice is still loose. The first two minutes after a full warmup is when the room is hearing your actual instrument. Use it.
Run Lines Online reads the other characters aloud — 20 unique voices, no scene partner needed. Free.