Pick a warmup length — 3, 5, or 10 minutes — and the tool builds a balanced sequence of breath, jaw, lip, tongue, resonance, and articulation drills with per-step timing. Built so the warmup you do before an audition or self-tape is actually the warmup, not the same three exercises every time.
Total routine: 3m 20s · 6 exercises
Inhale fully and quickly. Release the breath on a long /s/ hiss for as long as you can, keeping the sound steady. Time it. Aim for 25–30 seconds. Repeat twice.
Voice "ma-may-me-my-mo-moo" while exaggeratedly chewing the sound. The jaw should be doing big, loose movements. Keep the lips engaged. Repeat the sequence three times.
Voice the sequence with crisp, energised lips. Exaggerate the lip rounding on "boo" and the lip spread on "bee". Three rounds, getting faster each round.
Roll a Spanish R — tongue tip vibrating against the alveolar ridge just behind your top teeth. If you cannot roll it, alternate a fast "ta-da-ta-da" instead. Hold each attempt for ten seconds.
Voice "AY-EE-AH-OH-OO" on a single sustained pitch, opening the throat for each vowel. Keep the volume even — the vowel changes, the breath does not. Two rounds.
Ten reps, fast. The Y-U-N-Y cluster trains the tongue tip and the lip muscles together. If you slur, slow down and articulate every syllable before speeding back up.
Why this order matters. The warmup builds from the body outward: low breath first so the sound has somewhere to live, jaw release next so the resonator is open, lips and tongue next so the consonants have somewhere to land, and articulation drills last because they only work once everything underneath is loose. Doing the consonants first is the most common warmup mistake — the muscles are not warm yet and the drill just trains the tension.
Tip: do the routine standing up. Half the breath work depends on the body being aligned over the feet. Sitting it on a sofa cuts the value of the breath drills by about half.
Once the warmup is done, run a monologue against our scene partner while the voice is still loose. The first two minutes after a full warmup is when the room is hearing your actual instrument. Use it.
Run Lines Online reads the other characters aloud — 20 unique voices, no scene partner needed. Free.