Type your name, your monologue, and the source — and get four ready-to-rehearse slate variations: theatre, commercial, self-tape, and reel. Copy any one, or drill all four against our scene partner. Built to fix the under-prepared two seconds that decide whether the room is paying attention by the time you start the piece.
Four slate variations update live as you type.
Hello. My name is Maya Chen. I'll be performing Nina's 'I am a seagull', Nina's speech from The Seagull by Anton Chekhov.
Use for theatre auditions, MFA showcases, classical-rep callbacks. Formal register; full-sentence delivery.
Hi! I'm Maya Chen. Today I'm doing Nina's 'I am a seagull' from The Seagull.
Use for commercial casting, agent showcases, and breakdowns that just say "self-introduce". Warmth over formality.
Nina — Nina's 'I am a seagull' from The Seagull. Maya Chen.
Use at the top of a self-tape. Names the role first because the casting team scrubs through dozens of tapes in a batch.
Maya Chen. Nina's 'I am a seagull' — The Seagull.
Use this for a reel intro card, or for a slot whose breakdown explicitly limits the slate to a few seconds.
How to use this drill. The slate is a separate performance from the monologue. The room is graded on both. A weak slate plus a strong monologue still reads as an under-prepared audition because the slate is the first piece of information the casting team has about you. The fix is repetition — say the slate out loud thirty times before you ever say it in a room.
For self-tape: lead with the role, then your name. Casting teams scrub through tapes in a batch and the role name is the index. For theatre auditions: lead with your name and the piece title in full. For commercial: warmth in the first two words decides whether the casting director keeps watching.
Then drill all four slate variations against our scene partner tool and the one that fits your voice will be obvious by the third run. Use that one for the audition. Discard the rest.
Tip: the longest pause in any audition is the half-second between the end of your slate and the first line of the monologue. Drop your eye line, take a full breath, then start in character. The room reads the breath as professionalism.
Run Lines Online reads the other characters aloud — 20 unique voices, no scene partner needed. Free.