Shooting take after take of the same self-tape and forgetting which one was the keeper? Log each take with a star rating and a one-line note. The tool picks your peak take based on your ratings so you stop re-watching ten files at midnight. Saves locally per audition.
Saved locally on this device. No account needed.
How to use this drill. Shoot a take. Rate it before you watch it back. Then watch, adjust the rating once if the playback genuinely changed your mind, write a one-line note, and shoot the next take. Most actors shoot eight takes and forget which was the keeper by take six; the rating buys back the decision.
The honest stopping rule: when two consecutive takes are rated below your current peak, stop. You have already shot the one. Pushing further makes the take you submit tireder, not better.
Need one more pass before you call it? Run the side once more against our scene partner at conversational tempo, then shoot the next take cold. The warmed-in pass usually unlocks a register you have not found yet inside the previous takes.
Tip: rate takes before playback. Your in-the-moment gut read is more honest than the version of you watching three takes later who has already started doubting everything.
Run Lines Online reads the other characters aloud — 20 unique voices, no scene partner needed. Free.